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Question about Musical Construction

Arts

Originais Teachy

Musical Construction

Hard

(Originais Teachy 2024) - Question Hard of Arts

Consider a symphony composed in the classical period, where there is a clear structure of movements and a sophisticated use of sonata form. During the development of this symphony, the composer employs highly complex counterpoint, standing out in the use of canons and fugue. The symphony is performed by a common orchestra of that period, composed of string, woodwind, brass, and percussion instruments. The movement in question begins with an exposition of a main theme, followed by a development section that presents variations and interjections of other melodic and harmonic themes. In an interdisciplinary Mathematics and Physics class, a teacher proposes a study of the vibratory movement of the orchestra instruments' strings and their relationship with music theory, focusing on the phenomenon of resonance and its harmonic frequencies. The teacher asks the students to analyze the vibration pattern of a string fixed at both ends and determine the fundamental frequency (first harmonic) of the sound produced, taking into account the linear density of the string and the tension to which it is subjected. From the understanding of the concept of resonance, the question proposed is: How can the understanding of the resonance phenomenon and the calculation of harmonic frequencies enrich the musical analysis of the development of this symphony, particularly in the identification and understanding of the composer's use of canons and fugue?
a.
Understanding resonance and harmonic frequencies may be useful only for the technical adjustment of musical instruments, without contributing to the artistic interpretation of the elements of a symphony.
b.
Studying the phenomenon of resonance and calculating harmonic frequencies allows understanding how the composer used canons and fugue in the symphony, through the exploration of harmonic relationships and how musical themes are presented and combined by the different instruments of the orchestra.
c.
The calculation of harmonic frequencies and the understanding of resonance are applicable only to contemporary music, not being relevant for the analysis of a classical period symphony that employs canons and fugue.
d.
The resonance and harmonic frequencies have no relation to musical analysis, as they are exclusively physical phenomena that do not influence the structure or composition of a symphony.
e.
Studying resonance and harmonic frequencies is irrelevant in understanding the use of canons and fugue, as these musical techniques are based solely on counterpoint rules.

Answer sheet:

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